Thank you…

I began this blog two years ago on a whim and out of a desire to share my love for a label and its music that have shaped me since that first fateful encounter in my teens. My goal, as will be familiar to you, is to review every ECM album there is. I am now proud to say that, with over 600 reviews complete (300,000 words and counting!), I am at the halfway point to getting there. I couldn’t have done this without constant support from all of you who have been reading faithfully and sharing your enlightening comments, anecdotes, and stimulating debates. This has been one of the most fulfilling learning experiences of my writing and listening life, and I look forward to bringing you the second half and beyond as ECM continues to chart new paths on this quest between sound and space in which we all share. I thank you all, and stay tuned…

Tyran
Spring 2012

Murder in the Red Chamber

To my faithful readers, new and old alike: if you’ve been reading my words thus far you may be interested to know that, in addition to spouting flowery dross about my favorite sounds, I occasionally moonlight as a translator of contemporary Japanese fiction. My latest endeavor, published by Kurodahan Press, is a fantastic historical mystery novel by Ashibe Taku entitled Murder in the Red Chamber, which reworks the 18th-century Chinese classic Dream of the Red Chamber into a fiendishly entertaining detective story. The novel can be purchased at Amazon or any other fine purveyor of printed matter.

For the curious, a more detailed synopsis:

Murder in the Red Chamber, first published in Japanese by Bungei Shunjū as part of its “Mystery Masters” series, is set in the world of the original Dream of the Red Chamber, the masterwork of eighteenth-century Chinese fiction by Cao Xueqin. Building skillfully on that famous background, Ashibe plays out a most formidable murder mystery set in Peking during the late Qing dynasty. The tale opens with the visitation of Jia Yuan-chun, esteemed daughter of the prosperous Jia family and newly instated concubine to the emperor.

In preparation for her arrival, the Jias have constructed a magnificent homage in land known as Prospect Garden. After an all too brief celebration, as a parting gift to her beloved family Yuan-chun decrees that her sisters and closest female cousins relocate from their homes to the Garden proper, along with her brother Bao-yu.

Little do they know what horrors await them.

During an evening gathering, one of the young maidens of the Garden is brutally murdered in plain sight. This spectacle sets off a series of mysterious deaths. Lai Shang-rong, a local magistrate and Chief Inspector in service to the Jias, is specially commissioned to investigate the goings on and get to the root of the evil that has darkened this otherwise idyllic setting.

Bao-yu, however, has designs of his own. As the only male inhabitant of Prospect Garden, and with the pressure of success breathing down his neck as the next in line to the Jia throne, Bao-yu feels obliged to protect those dearest to him and decides to launch a private investigation. Bao-yu’s methods confuse Shang-rong, who is certain that a more orthodox approach will flush out the killer in due course. As luck would have it, Bao-yu is soon assigned as an assistant to Shang-rong, who is content to work alone. In spite of the inconvenience, Shang-rong knows that Bao-yu’s status as an insider might prove helpful.

Yet as time goes on and more murders are committed right under his nose, Shang-rong begins to suspect that Bao-yu may in fact be behind them all. Shang-rong is expected to cooperate with Bao-yu all the same, and so he must face a difficult choice: point the finger at his exalted sidekick, or crack the case before imminent dangers destroy him.

Ashibe’s tragic conclusion leaves us with a heavy moral question while presenting even the most seasoned mystery fan with a refreshing and innovative take on the detective novel formula.

2010 in review

The stats helper monkeys at WordPress.com mulled over how this blog did in 2010, and here’s a high level summary of its overall blog health:

Healthy blog!

The Blog-Health-o-Meter™ reads Wow.

Crunchy numbers

Featured image

About 3 million people visit the Taj Mahal every year. This blog was viewed about 25,000 times in 2010. If it were the Taj Mahal, it would take about 3 days for that many people to see it.

 

In 2010, there were 247 new posts, not bad for the first year! There were 387 pictures uploaded, taking up a total of 52mb. That’s about 1 pictures per day.

The busiest day of the year was December 26th with 284 views. The most popular post that day was By Catalogue #.

Where did they come from?

The top referring sites in 2010 were orgyinrhythm.blogspot.com, speakeasy.jazzcorner.com, en.wikipedia.org, ecmrecords.com, and dougpayne.blogspot.com.

Some visitors came searching, mostly for ecm new series, paul bley ballads, ecm reviews, ecm records blog, and just music ecm.

Attractions in 2010

These are the posts and pages that got the most views in 2010.

1

By Catalogue # October 2010
1 comment

2

ECM Videos May 2010
5 comments

3

Artists February 2010
1 comment

4

Guest Reviews February 2010
95 comments

5

Jasmine (ECM 2165) May 2010

Spheres update

To my kind and faithful readers:

In the interest of completeness, I have just updated my review of Keith Jarrett’s Spheres (ECM 1302)—a drastically redacted single-CD reissue of Hymns/Spheres (ECM 1086/87)—to include my impressions of the latter. Now that I finally have the original double-album in my possession, I thought it only appropriate to provide a taste for those who don’t.

May the sounds reach you however possible.

Improvised Choral Music

In 2004 a close friend, Mary Porcari, passed away of ovarian cancer. In my grief I contemplated writing a requiem for her, but as I sat before pages of empty staves I found my mind devoid of music. Instead, I opened a simple mixing program on my computer and, with the Latin text in front of me, improvised the full mass at one sitting. I later transcribed the piece, which received its world premier performance in Mary’s honor at Grace Church in Amherst, Massachusetts on November 5 of the following year. I have since continued to compose choral music in this same way, letting each text guide me where it will. Because this music is straight from the heart, it inevitably has drawn from much of what I listen to daily. In this regard the music of Arvo Pärt and the performance style of the Hilliard Ensemble have been undoubtable inspirations. I have recently created a MySpace page where one can hear my music, unrefined as it is. Seeing as it would not exist without ECM’s vital presence in my listening life, I felt it appropriate to post here.

Incidentally, Grady Harp has been kind enough to share the following thoughts on my music:

It seems close to impossible to believe that the music of Tyran Grillo is limited to his MySpace blog site.  Happening onto this music was almost an accidental discovery.  This is music that travels direct from one man’s heart and soul into the manipulation of sound and space that weds to some of the most exquisite, ethereal otherness this listener has experienced.  Apparently Grillo’s only instrument is his voice and he records directly into the computer without first writing notes on a staff of music paper or recreating the sounds in a way that other musicians can perform them.  According to the composer these ‘melodies’ came out of an experience of loss of a loved one, and if that is the fact then we have in our midst a man who has an incredible future should he decide to transform his vocal manipulations of his own voice (a voice that comfortably rings through a wide range) into performable format.

To this point there are ten compositions at his site: Magnificat, Stabat Mater I, II, and III, Rorate Coeli, Kyrie eleison, Officium, Sanctus, Agnus Dei, and Lacrimosa.  If pushed to the book of category these works are related to chants, but not the medieval chants that have lasted through the centuries and are heard at high holy days. No, these harmonies are very informed by Eastern music: some of these sound like mystical choirs hovering in the past of Egypt or Greece.  The lines do not repeat but instead hang in the air like vaporous transient clouds, like the afterburn of incense.  They are holy, they are sacred, they are from somewhere we have not been – except inside our souls.

This is important music, not a compilation of distant memories from other times, but very original murmurs of the heart.  I can only urge listeners to become acquainted with this work.  Hopefully someone will fund the production of this music on CDs so that more people can be transformed by this magic.