Enrico Rava/Joe Lovano: Roma (ECM 2654)

Roma.jpg

Enrico Rava
Joe Lovano
Roma

Enrico Rava flugelhorn
Joe Lovano tenor saxophone, tarogato
Giovanni Guidi piano
Dezron Douglas double bass
Gerald Cleaver drums
Concert recording, November 10, 2018
Sala Sinopoli, Auditorium Parco della Musica, Rome
Engineer: Giampiero Armino
Editing: Manfred Eicher and Stefano Amerio (engineer)
Album produced by Manfred Eicher
Release date: September 6, 2019

Recorded at Rome’s Auditorium Parco della Musica during a pop-up tour in November 2018, this album preserves a formidable group led by Italian trumpeter Enrico Rava (heard on flugelhorn throughout) and American saxophonist Joe Lovano. Alongside pianist Gianni Guidi, bassist Dezron Douglas, and drummer Gerald Cleaver, they take us through a set of originals, classics, and original classics in the making.

Rava opens the set with two tunes of his own. The delicate swing of “Interiors” unfurls a scenic backdrop as the frontmen stretch firmament over fundament. It’s incredible to hear just how organically Rava and Lovano—each a master in his own right—avoid stepping on each other’s toes. The moment they occupy the same space, theirs feels like an inevitable collaboration. Like two shooting stars crossing in the night, they seem to be a once-in-a-generation coincidence, yet in the process yield an even brighter star that careens beyond the asteroid belt of expectation. Neither is foreign to the healing power of poetry. “Secrets” elicits a more itinerant sound with Rava as primary storyteller. Despite their titles, this and the opener are reveal their love of creation like a morning glory drenched in the rising sun. Cleaver reaps a gorgeous harvest of cymbals, adding splashes of color amid the monochrome, and through those actions works up a lather of protection against the march of time. Lovano, for his part, shows his ability to immerse himself in the ever-evolving soul of things.

“Fort Worth” initiates a Lovano-penned sequence with upbeat inflections, by which memories of the past and predictions of the future are adhered. Lovano is the winding spirit of the rhythm section’s uncanny swing. When he gives the floor to Rava, the warmth of the venue feels more palpable than ever. Guidi’s solo is particularly superb, unpacking two gifts for each one wrapped, and holds light in its hands. “Divine Timing” is a more free-wheeling vehicle for Cleaver, who primes the canvas for some unbridled color schemes. Douglas, meanwhile, understands the need to give as much space as he occupies.

The quintet ends with a powerful triptych, kicking off with Lovano’s “Drum Song,” which takes an anciently leaning bass solo as its seed and finds the composer on tarogato before morphing into John Coltrane’s “Spiritual,” of which Rava is the shining galaxy. All of this funnels into the dream of Guidi alone playing “Over The Rainbow” a nod to the cosmos to which we must all one day return.

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