Jan Garbarek: I Took Up The Runes (ECM 1419)

Jan Garbarek
I Took Up The Runes

Jan Garbarek soprano and tenor saxophones
Rainer Brüninghaus piano
Eberhard Weber bass
Nana Vasconcelos percussion
Manu Katché drums
Bugge Wesseltoft synthesizer
Ingor Ántte Áilu Gaup voice
Recorded August 1990 at Rainbow Studio, Oslo
Engineer: Jan Erik Kongshaug
Produced by Manfred Eicher

By 1990, Jan Garbarek had for decades been searching for that one key, navigating a landscape of peaks and valleys, only to find it slumbering within the runes which, with this album, he eponymously took up. A snaking version of Mari Boine Persen’s “Gula Gula” outlines the album’s perfectly proportioned ritual space for a sound that has come to define the Norwegian saxophonist’s output since. With Runes his tone had achieved a luminescence that fell like liquid onto the keyboard of Rainer Brüninghaus.

Balancing note and movement, Garbarek hones something truly special in the five-part “Molde Canticle,” which draws out the album’s deepest anatomies. Above all, the piece is about time. It speaks in a language that moves us. The gyroscopic quality of Part 2 hums around the centrifugal force of Garbarek’s lyricism as he scales ever higher. Part 3 features a singsong solo from bassist Eberhard Weber, who elicits bird-like harmonics from the soft glide of his bow. These enchantments are but a prelude to a round of wind and pianistic musings. Part 4 is a more rhythmic showcase (percussionist Nana Vasconcelos’s influence is also clear on tracks like “Buena Hora, Buenos Vientos”), and features some heavy blowing from Garbarek, at once whimsical and weighty, while Part 5 finds him weaving a simple wave over a harp-like ostinato.

These melodies all have the makings of folk songs (sometimes the other way around, as in “His Eyes Were Suns”), so vivid is each in its evocation of peoples and traditions. The title track is a more groove-oriented spectacle and finds Garbarek freeing himself even further. This leaves only “Rahkki Sruvvis,” another chanting piece with some overdubbed saxes for a final skyward glance.

Many have criticized Garbarek for going soft. I Took Up The Runes proves that he has simply channeled that dynamic energy through different rivulets of intensity. Like smoke, they need fire to soar, but fire in its natural state requires time and care to catch.

A masterpiece.

<< John Surman: Road To Saint Ives (ECM 1418)
>> Keith Jarrett Trio: Tribute (ECM 1420/21)

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