Towner/Muthspiel/Grigoryan: Travel Guide (ECM 2310)

Travel Guide

Travel Guide

Ralph Towner classical and 12-string guitars
Wolfgang Muthspiel electric guitar, voice
Slava Grigoryan classical and baritone guitars
Recorded August 2012, Auditorio Radiotelevisione svizzera, Lugano
Engineer: Stefano Amerio
Produced by Manfred Eicher

Travel Guide brings together Ralph Towner on classical and 12-string guitars, Wolfgang Muthspiel on electric guitar, and Slava Grigoryan on classical and baritone guitars. Representing the US, Austria, and Kazakhstan, respectively, the three came together in a 2005 tour that first brought their sound as a unit into undeniable perspective. The resulting trio builds on the integrity of every tune—in this case an even ten from Towner and Muthspiel. The two write with such kindred spirit that one needn’t even parse them, though characteristics familiar to Towner fans do give his music a distinctive arc. Ultimately, the lyrical improvising on all fronts turns every track into a matter of group belonging.

Travel Portrait
(Photo credit: Dániel Vass)

“The Henrysons” introduces a tone-setting spiral of ostinatos and leading lines in a mesh so organic that one might think these musicians had been playing together for as long as they have alone. The resonance of Muthspiel’s electric imbues the trio with a pianistic touch of magical realism throughout, especially in the title track, of which the uplifting prosody and luminescent harmonies make it a highlight. Muthspiel even lends his voice for a spell on “Amarone Trio,” evoking the instrumental singing of Nana Vasconcelos in the context of the Pat Metheny Group. But Muthspiel’s deepest achievement is his stellar writing, which spans the subdued wit of “Die Blaue Stunde” and the virtuosic “Nico und Mithra,” at moments sounding more like Towner than Towner. The latter’s unmistakable 12-string carves oars for “Windsong,” guiding a compact yet fully featured vessel down a moonlit river. Grigoryan has a standout solo here, his lyricism attuned to every negative space.

The brilliance of execution on each side of this equilateral triangle resides in timekeeping precision. Without it, so much of what is unwritten in Towner would be impossible to articulate. The fragile coloratura of “Father Time,” for instance, shows just how well the musicians understand the spirit of his texts. For indeed, Towner builds his lodgings on bedrock of language—a diary, if you will, of life’s unpredictable passage. His substantial “Duende” is the highest peak in this regard. Its impulses are every bit as linked as Towner’s solo “Tarry,” which turns toward the concluding “Museum of Light” with a cloudy but self-understanding heart.

Whether or not you’re a Towner aficionado, Travel Guide is a no-brainer for the ECM enthusiast. It requires no suitcase or ticket, only an open ear and an open road.

(To hear samples of Travel Guide, click here.)

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