
Giovanni Guidi
A New Day
Giovanni Guidi piano
James Brandon Lewis tenor saxophone
Thomas Morgan double bass
João Lobo drums
Recorded August 2023 at Studios La Buissonne, Pernes-les-Fontaines
Engineer: Gérard de Haro
Mastering: Nicolas Baillard
Cover painting: Emmanuel Barcilon
Produced by Manfred Eicher
Release date: July 12, 2024
Italian pianist Giovanni Guidi expands on his trio with bassist Thomas Morgan and drummer João Lobo by welcoming saxophonist James Brandon Lewis (here making his ECM debut). The result is A New Day in more ways than one, each breath a chance at discovery.
This deeply curated session begins with “Cantos Del Ocells,” a traditional Catalan Christmas song rendered with soft-spoken confidence. Lewis speaks only as needed, letting his tenor work its way only through those cracks wide enough to accommodate him. It’s one of two tunes not written by Guidi—the other being a rubato take on the Rogers and Hart standard “My Funny Valentine,” which feels like a well of possibility despite (if not because of) its familiarity.
With so much space to wander in, the listener is free to explore each new environment as it unlocks itself. Whether your flavor of choice is the arco-inflected bassing of “To A Young Student” or the extended percussion of “Means For A Rescue,” organic elements get revealed by the mesh of every excavation. The group improvisational “Only Sometimes” casts a dim spotlight on Morgan and is remarkable for fitting seamlessly into its surroundings, as if it were an inevitability of the musicians gathered.
The inky call and response between Lewis and Guidi in “Luigi (The Boy Who Lost His Name)” is a highlight for its colorful turns, Lobo providing especially detailed commentary throughout. Between it and the glistening “Wonderland,” there is plenty of dreaminess to unpack in future listenings. Having the surest traction of any tune, Guidi, Morgan, and Lobo interlocking while Lewis carves through ebony and ivory, it is an invitation to run back home and start the journey again with fresh ears.
Those searching for groove in the standard sense will come up short. But if you want something exploratory that expresses itself with open-book honesty, then this one is for you.
