Your opinions on reviewing

To my readers, old and new alike:

Working on this project as I have been for almost three years, I try to be as attentive to my own writing as to what I’m writing about. In an effort not to sound repetitive, I try to adapt my writing style to the nature of the album I’m reviewing. Obviously, this works more successfully some times than others. I am curious to know your opinion about what works best for you as readers. Do you prefer the more abstract, impressionistic reviews (see, for example, my recent thoughts on Angles of Repose), the more straightforward ones, or do both work in their own way? Through the former, I try to convey the feeling of the music, because anyone can look up an album to know what it is. I’m more interested in how it is. What do you think?

Updated covers

Here at between sound and space, I strive to bring the highest quality reviews that I can. But for the nearly three years I’ve been working on this blog, I’ve skimped by appending only small covers. In an effort to correct this, over the past few months I’ve been painstakingly scouring the Internet in search of the highest resolution ECM album covers available and have replaced each with a larger one in my older reviews. That way, we can all enjoy the significant visual contributions our favorite label has made alongside its sonic ones. Large covers will be the norm from hereon out.

If you ever find yourself needing a hi-res ECM album cover, save yourself some time and check here first. And if you find (or have) any better ones, feel free to let me know.

500 followers!

To all my devoted readers, allow me to extend another warm thank you. As of today, between sound and space has surpassed 500 followers! With a new semester underway and my first child due to be born any day now, I can only hope to achieve my goal of catching up with ECM’s rigorous release schedule by the end of this academic year. So many great releases on the horizon, and even more from the past left to discover…

Thank you…

I began this blog two years ago on a whim and out of a desire to share my love for a label and its music that have shaped me since that first fateful encounter in my teens. My goal, as will be familiar to you, is to review every ECM album there is. I am now proud to say that, with over 600 reviews complete (300,000 words and counting!), I am at the halfway point to getting there. I couldn’t have done this without constant support from all of you who have been reading faithfully and sharing your enlightening comments, anecdotes, and stimulating debates. This has been one of the most fulfilling learning experiences of my writing and listening life, and I look forward to bringing you the second half and beyond as ECM continues to chart new paths on this quest between sound and space in which we all share. I thank you all, and stay tuned…

Tyran
Spring 2012

Murder in the Red Chamber

To my faithful readers, new and old alike: if you’ve been reading my words thus far you may be interested to know that, in addition to spouting flowery dross about my favorite sounds, I occasionally moonlight as a translator of contemporary Japanese fiction. My latest endeavor, published by Kurodahan Press, is a fantastic historical mystery novel by Ashibe Taku entitled Murder in the Red Chamber, which reworks the 18th-century Chinese classic Dream of the Red Chamber into a fiendishly entertaining detective story. The novel can be purchased at Amazon or any other fine purveyor of printed matter.

For the curious, a more detailed synopsis:

Murder in the Red Chamber, first published in Japanese by Bungei Shunjū as part of its “Mystery Masters” series, is set in the world of the original Dream of the Red Chamber, the masterwork of eighteenth-century Chinese fiction by Cao Xueqin. Building skillfully on that famous background, Ashibe plays out a most formidable murder mystery set in Peking during the late Qing dynasty. The tale opens with the visitation of Jia Yuan-chun, esteemed daughter of the prosperous Jia family and newly instated concubine to the emperor.

In preparation for her arrival, the Jias have constructed a magnificent homage in land known as Prospect Garden. After an all too brief celebration, as a parting gift to her beloved family Yuan-chun decrees that her sisters and closest female cousins relocate from their homes to the Garden proper, along with her brother Bao-yu.

Little do they know what horrors await them.

During an evening gathering, one of the young maidens of the Garden is brutally murdered in plain sight. This spectacle sets off a series of mysterious deaths. Lai Shang-rong, a local magistrate and Chief Inspector in service to the Jias, is specially commissioned to investigate the goings on and get to the root of the evil that has darkened this otherwise idyllic setting.

Bao-yu, however, has designs of his own. As the only male inhabitant of Prospect Garden, and with the pressure of success breathing down his neck as the next in line to the Jia throne, Bao-yu feels obliged to protect those dearest to him and decides to launch a private investigation. Bao-yu’s methods confuse Shang-rong, who is certain that a more orthodox approach will flush out the killer in due course. As luck would have it, Bao-yu is soon assigned as an assistant to Shang-rong, who is content to work alone. In spite of the inconvenience, Shang-rong knows that Bao-yu’s status as an insider might prove helpful.

Yet as time goes on and more murders are committed right under his nose, Shang-rong begins to suspect that Bao-yu may in fact be behind them all. Shang-rong is expected to cooperate with Bao-yu all the same, and so he must face a difficult choice: point the finger at his exalted sidekick, or crack the case before imminent dangers destroy him.

Ashibe’s tragic conclusion leaves us with a heavy moral question while presenting even the most seasoned mystery fan with a refreshing and innovative take on the detective novel formula.

between sound and…photography?

To my constant readers, new and old alike. You may have noticed the header images on between sound and space, and wondered where they come from. Now you can go right to the source at In a landscape, my online photography gallery. I hope you see something you like, and feel free to leave a comment or two if you dare.